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It's taking part, for example, in Urban Aid for Lifebeat, a series of concerts and promotional events aimed at raising AIDS awareness among blacks.

Snoop Dogg also showed up to the show to make it a complete 90s night!

The player is an archetype in black popular culture. celebrates in "One More Chance." The player esthetic informs much of contemporaryrhythm-and-blues. At a recent performance at the Apollo Theater, De Vante appeared wearing a fire-red wide-brimmed fedora, an homage to a style favored by pimps in the early 1970's.

The line runs from the spider Anansi in African mythology that gets its way with wit and cunning to the Max Julien character in the 1973 blaxploitation film "The Mack" to the womanizer that the rapper Notorious B. And in selling sexuality, Jodeci is part of a pop music tradition that encompasses Elvis Presley, Jim Morrison and Prince, to name a few. Though De Vante has a tattoo across his back that says "Boss Player," he and the other members of the group deny that the image fits them. "Back then, when Cadillacs and pimps and all that was going on, is when we started listening to music, so it's natural for us to carry ourselves like that," De Vante explains later.

Harrell attributes Jodeci's changed attitude about sex to their becoming stars.

"After a while, what artists sell starts to take over a major part of their point of view," he says.

"A player has a bunch of girls, but ultimately does anyone really end up satisfied?

" asks the model and journalist Veronica Webb, who admits to having known such men.

Even the group's first hit, in 1991, "Forever My Lady," was a lush ballad.

The first lines were: "So you're having my baby, and it means so much to me/ There's nothing more precious than to raise a family." But four years later, the first single from "The Show, the After Party, the Hotel" is called "Freek'n You." It begins: "Every time I close my eyes, I wake up feelin' so horny/ I can't get you out of my mind/ Sex to you be all I see." Mr.

"It may not be misogynistic in the sense that he hates the women straight out," says Michael Eric Dyson, whose new book, "Between God and Gangster Rap: Bearing Witness to Black Culture," will be published this fall.

"But the system itself is one that undermines women's lives because their use is merely for the sexual satisfaction of the man and the economic satisfaction of the man.

A man has to be there to provide it for them." At another radio station in Los Angeles later that Friday evening, K-Ci and Mr. A teen-age girl, calling from "the Hair and Nail Palace," gets straight to the point. "If you don't want a hamburger," he tells the young fan, "you don't go to Mc Donald's." Jodeci hasn't always sold sex.

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